Adeta Alamoyo Algorithmic Wares Firing From Wastes

Toyin Emmanuel Akinde

Abstract


This study is on wares firing of Ilorin indigenous pottery, precisely those from Alamoyo lineage of Adeta community. The Alamoyo’s are noted for open firing of wares, mostly culinary. This firing practice has been mastered for ages, passed on from one generation to another and still contemporaneously operational. Its operation is uniquely uncommon; adopting demolition or construction wastes as kiln and agriculture or horticulture wastes as fuel for firing wares. These wastes includes used concrete stones and used metal roofing sheets; others are sawdust, maize sheaths, locust bean pods, off-cut planks, granulated or crumb wood barks, mated fan, coal ember and joysticks. Wastes adoption as kiln and fuel materials by the Alamoyo potters of Adeta community is though, a recent phenomenon. The thrust of the study however, is hinged on wastes source and its firing algorithm. Findings revealed wastes accessibility and availability, significantly at no cost, maturation of wares in two hours and less smoke emission. It is therefore, hoped that the study will serve as wastes improvisation template on firing for informal and formal institutions and hopefully provoke further studies on Adeta Alamoyo pottery.


Keywords


Adeta Alamoyo, Wares, Wastes, Firing And Algorithm.

Full Text:

PDF

References


Akinde T E. 2016. Comparative Study of the Strength of Glazes Derived from Horticulture and Animal By-products. An Unpublished Ph. D. Thesis. Department of Fine and Applied Arts, LAUTECH. Ogbomoso, Nigeria. pp. 25-26

Oladugbagbe F E A and Kalilu R O R. 2013. Iconography, Arts and Design of Metal Sculptures in Nigerian Art Institutions (1980-2011). In RHSS: Research on Humanities and Social Sciences. Vol. 3, No. 13. pp. 132-141

Jimoh L A K. 1994. Ilorin: The Journey so Far. Ilorin: Atoto Press Ltd. pp. 8-11

Areo M O and Areo A B. 2011. Technical and Technological Challenges of Traditional Pottery in Ilorin. ASHAKWU: Journal of Ceramics. Vol. 8. pp. 9-19

Abiodun D A and Akinde T E. 2019. An Exploration of Brass Casting in Ogbomosoland: The Need to Revamp the Vanishing Tradition. In JOSIH: Journal of Studies in Humanities. Vol.10. pp. 1-16

Areo A B and Areo M O. 2011. Beauty and Robustness of Hand-Built Open-Fired Pottery. Ilorin, Nigeria: Cephas.

Abiodun S O, Akintonde M A and Akinde T E. 2013. Small Scale Pottery in Oyo State: Challenges and Prospects. Small Scale Ceramic Industry in Oyo State: Challenges and Prospects. Journal of Economics and Sustainable Development, Vol. 4, No. 11, pp.103-111

Abiodun S O and Akinde T E. 2014. Transfer as Alternative to Direct Drawing in Yoruba Hand Built Pottery. IJACI: International Journal of African Culture and Ideas. Department of General Studies, Ladoke Akintola University of Technology. April, 2014. Vol. 14. No.5 Ogbomoso, Nigeria. pp. 169-186

Rhodes D. 1998. Clay and Glazes for the Potter. Revised Edition. Wisconsin: Krause Publication and London: A & C Black.

Peterson S. 1998. Working with Clay: An Introduction. Laurence king Publisher

Otimeyin P. 2008. Ceramics at A Glance. Asaba: Otoba Press Limited

Akinde T E. 2017. Wares Firing in September: Defying Odds. In Eyo: Journal of the Arts and Humanities. Vol.3, No. 1. pp. 237-247

Ibigbami R L. 1980. Yoruba Pottery Firing. Ceramic Review: The Magazine of the Craftsmen Potters Association of Great Britain. Number 61. pp. 5-7

Ibigbami R L. 1981. Traditional pottery in Yoruba culture. Black Orpheus. Vol. 4, No 1, pp. 12-19

Igwilo B N. 1983. Traditional pottery in Nigeria. In Nigeria Magazine. No. 147, pp 35-40

Ogunsina E D. 1997. Maize Sheath Ash: A Possible Ingredient for Ceramic Glaze. USO: Nigerian Journal of Art. Vol. 2, Nos. 1 and 2

Ojie N G. 2002. Plantain and Palm Fond Ash: A Matrix for Soda Glaze Composition. IJSLT: International Journal of Science Laboratory Technology. Vol. 1.

Kalilu R O Rom, Akintonde M A. and Ayodele O. 2006. Ceramics: Arts and Technology in the 21st century, South Western Nigeria. Agege, Nigeria: Pemilter Publishers.

Oyelola P. 2010. Nigerian Artistry. Ibadan: Mosuro Publishers.

Akinde T E. 2017. Individual Fired Brick Domestication in Nigeria. JVAD: Journal of Visual Art and Design. Vol. 9, No. 1, pp. 49-63

Fatunsin A. 1992. Yoruba Pottery. Lagos and Great Britain: the Nigerian Museum and Ethnographica.

Oyeoku O K. 1997. Introducing the Kiln in Nigerian Traditional Pottery. USO: Nigerian Journal of Art. Vol. 2, Nos. 1 and 2.

Rhodes D. 1968. Kiln Design, Construction and Operation. London: Laurence King Publishers

Fourner R. 2000. Illustrated Dictionary of Practical Pottery. Fourth Edition. London: A & C Black and Wisconsin: Krause Publication.

Aiken C. 2015. Crop Production: A Study of Agricultural Science. New York: Callisto Reference.

Akinde T E. 2009. Fruit Peelings as Ash Glazes. An Unpublished M. Tech. Dissertation. Department of Fine and Applied Arts, LAUTECH. Ogbomoso, Nigeria. pp. 15-17

Wikipedia. 2016. waste-wikipedia. https://en.m.wikipedia.org>wiki

Introduction types of wastes-United Nation ESCAP. https://www.unescap.org>sites>files

Amasuomo E and Baird J. 2016. The Concept of Waste and waste Management. Journal of Management and Sustainability. Vol. 6, No. 4. p. 8. Published by Canadian Center of Science and Education.

Hoornweg D and Bhada-Tata P. 2012. What A Waste: A Global Review of Solid Waste Management. Washington, DC: Urban Development Series Knowledge Paper for Urban Development and Local Government Unit World Bank

Dijkema G P J, Reuter M A and Verhoef. 2000. A New Paradigm for Waste Conversion Processes. Energy Conversion and Management. Vol. 52. No. 2. Pp. 1280-1287. Htts://doi.org/10.1016/so956-053x(00)00052-0

Cheremisinoff N P. 2003. Handbook of Solid Waste Management and Waste Minimization Technologies [electronic resource].Oxford: Butterworth-Heinemann

Chadha K L. 2014. Handbook of Horticulture. New Delhi: Indian Council of Agricultural Research.

Finch J. 2006. Kiln Construction: A Brick by Brick Approach. London: A and C Black




DOI: http://dx.doi.org/10.52155/ijpsat.v29.2.3704

Refbacks

  • There are currently no refbacks.


Copyright (c) 2022 Toyin Emmanuel Akinde

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.